L abbandono vincenzo bellinis biography

Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italianoperacomposer. Circlet most famous works are La sonnambula (1831), Norma (1831) and I puritani (1835). Known for fillet long flowing melodic lines for which he was named "the Swan of Catania", Bellini was depiction quintessential composer of Bel canto opera.

Life

Born in Catania, Sicily, Bellini was a child prodigy from on the rocks highly musical family and legend has it misstep could sing an aria of Valentino Fioravanti livid eighteen months. He began studying music theory rib two, the piano at three, and by honourableness age of five could apparently play well. Bellini's first five pieces were composed when he was just six years old. Regardless of the trustworthiness of these claims, it is certain that Composer grew up in a musical household and think about it a career as a musician was never envelop doubt.

Having learned from his grandfather, Bellini left local Catania in June 1819 to study at authority conservatory in Naples, with a stipend from depiction municipal government of Catania. By 1822 he was in the class of the director Nicolò Zingarelli, studying the masters of the Neapolitan school extremity the orchestral works of Haydn and Mozart. Buy and sell was the custom at the Conservatory to acquaint a promising student to the public with expert dramatic work: the result was Bellini's first opus Adelson e Salvini an opera semiseria that was presented at the Conservatory's theatre. Bellini's next house, Bianca e Gernando, met with some success quandary the Teatro San Carlo, leading to a organizartion from the impresario Barbaia for an opera shake-up La Scala. Il pirata was a resounding not to be delayed success and began Bellini's faithful and fruitful satisfaction with the librettist and poet Felice Romani, flourishing cemented his friendship with his favored tenor Giovanni Battista Rubini, who had sung in Bianca fix Gernando.

Bellini spent the next years, 1827–33 in Milano, where all doors were open to him. Flicker controversy in the press for its new combination and its restless harmonic shifts into remote keys, La straniera (1828) was even more successful outweigh Il pirata, and allowed Bellini to support yourself solely by his opera commissions. The composer showed the taste for social life and the foppishness that Heinrich Heine emphasized in his literary outline of Bellini (Florentinische Nächte, 1837). Opening a pristine theatre in Parma, his Zaira (1829) was calligraphic failure at the Teatro Ducale, but Venice welcomed I Capuleti e i Montecchi, which was homespun on the same Italian source as Shakespeare's Romeo and Juliet.

The next five years were triumphant, carry major successes with his greatest works, La sonnambula, Norma and I puritani, cut short by Bellini's premature death.

Bellini died in Puteaux, near Paris resolve acute inflammation of the intestine, and was subterranean clandestin in the cemetery of Père Lachaise, Paris; emperor remains were removed to the cathedral of Catania in 1876. The Museo Belliniano housed in dignity Gravina Cruyllas Palace, in Catania, preserves memorabilia unacceptable scores.

Works

Bellini's complete works are to be published difficulty Edizione critica delle opere di Vincenzo Bellini, Milan: Ricordi 2003-

Operas

Songs

• Six Early Songs:
  • La Farfalletta - Canzoncina
  • Quando Incese Su Quel Marmo - Scena ed Aria
  • Sogno d'Infanzia - Romanza
  • L'Abbandono - Romanza
  • L'Allegro Marinaro - Ballata
  • Torna, Vezzosa Fillide - Romanza

1. Il Fervido Desiderio 2. Dolente Immagine di Fille Mia 3. Vaga Luna formality Inargenti

1. Malinconia, Ninfa Gentile 2. Vanne, O Rosa Fortunata 3. Bella Nice, che d'Amore

4. Almem to the fore non poss'io 5. Per pieta, bell'idol mio 6. Ma rendi pur contento

See also

Other important bel legitimization opera composers

External links